History of folk song of bangladeh.

    

History of folk song of bangladeh.

                                            

Bengali folk has become an imperative melodic influence in the lives of Bengalis on both sides of the West Bengal-Bangladesh border. Between these are Lalon Fokir, Radharaman Dutta, Hason Raja, Khursheed Nurali (Sheerazi), Ramesh Shill and Abbas Uddin. All folk songs are characterised by simple musical configuration and terms. Before the advent of radio, amusement in the rural areas relied to a large extent on stage performances by folk singers. After the arrival of new announcement and digital media, many folk songs were modernised and included into up to date songs.
Folk music can be confidential into several sub-genre:

Baul: Generally encouraged by Lalon Fokir and near totally perform by solitary person. 

Bhandari: Devotional melody from the South (mainly Chittagong).

Bhatiali: Music of fishermen and boatman, approximately at all times tied by a common raga song.

Bhawaiya: The song of bullock-horse and cart drivers of the North (Distict Rangpur).

Dhamail: A brand of folk music and dance originate in Sylhet, Bangladesh. It is practiced in the erstwhile district of Sylhet in Bangladesh and in areas influenced by the Sylheti culture such as Cachar, parts of Shillong, Karimganj and Hailakandi Districts of Assam, parts of Tripura in India.

 

Ghazal: Popularity of folk music of Sufi genres preface of philosophy and religious conviction in music.

 Gombhira: Song originate in The district of Bangladesh Chapai Nawabganj, in the Northwest perform with a fastidious individual measure and dance with two performers, always personifying a man and his grand father, discussing a topic to raise social awareness.
 

Hason Raja: Devotional songs written by music composer Hason Raja from Sylhet, (Northeastern side of Bangladesh near Assam) that was newly re-popularized as dance music.
 

Jari: Songs concerning musical battle connecting two groups.

Jatra Pala: Songs related completely with plays (performed on-stage). generally involve colorful presentation of historical themes.
 

Kirtan: Devotional song depicting love of Hindu god Krishno and his (best-known) wife, Radha Of the religious history of hindu. 
 

Kobigan: Poems sung with simple music usually presented on stage as a musical battle between poets.
 

Lalon: Best known of all folk songs and the most import sub-genre of Baul songs, almost entirely attributed to spiritual writer and composer, Lalon Fokir of Kushtia. He is known to all in west Bengal of India too.(Western Bangladesh, near the border with West Bengal).

Sarigan: Song specially by boatmen. It is often known as workmen's song as well.

Sema Sangeet: a genre of Bengali devotional songs dedicated to the Hindu goddess Sema or Kali which is a form of supreme universal mother-goddess Durga or parvati. It is also known as Shaktagiti or Durgastuti. Our Bangladesh manually a musical country on the world.